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・ Juan Pampin
・ Juan Pan Guerrero
・ Juan Pando
・ Juan Panero
・ Juan Pantoja de la Cruz
・ Juan Paolo Aquino
・ Juan Pardo
・ Juan Pardo (explorer)
・ Juan Pardo de Tavera
・ Juan Paredes
・ Juan París
・ Juan Pascual Azorín Soriano
・ Juan Pascual Pringles
・ Juan Pascualli Gómez
・ Juan Pastor Marco
Juan Patricio Morlete Ruiz
・ Juan Pavón
・ Juan Pedevilla
・ Juan Pedro
・ Juan Pedro Aguirre
・ Juan Pedro Aladro Kastriota
・ Juan Pedro Amestoy
・ Juan Pedro de Miguel
・ Juan Pedro Esnaola
・ Juan Pedro Fontanella
・ Juan Pedro Gutiérrez
・ Juan Pedro Lanzani
・ Juan Pedro Laporte
・ Juan Pedro Pina
・ Juan Pedro Ramírez López


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Juan Patricio Morlete Ruiz : ウィキペディア英語版
Juan Patricio Morlete Ruiz

Juan Patricio Morlete Ruiz was an 18th-century Mexican painter, a mestizo according to the system of racial classification.〔Ilona Katzew. "Valiant Styles: New Spanish Painting, 1700-85", in ''Painting in Latin America, 1550-1820'', Luisa Elena Alcalá and Jonathan Brown. New Haven: Yale University Press 2014, p. 169.〕 He is most well known for his casta paintings.
Born in 1713, he was a contemporary of Miguel Cabrera. Both artists were important to Casta painting and are accredited with many iconic elements of Casta painting that influenced the genre for decades after them. Like many artists in Colonial New Spain, he was a member of painting academy that was established in the mid-eighteenth century.〔New Acquisition; Three Casta Paintings by Juan Patricio Morlete Ruiz.http://lacma.wordpress.com/2011/04/21/new-acquisition-three-casta-paintings-by-juan-patricio-morlete-ruiz/〕 This status gave Morlete a place among the Spanish elite in Mexico. It is evident from documents at the time that both the Viceroy Carlos Francisco De Croix and Viceroy Antonio María de Bucareli y Ursúa commissioned work from him.〔Juan Patricio Morlete Ruiz: Conservation of the Ports of France. lacma.org.〕
Morete Ruiz’s paintings are significant to Mexican art history because Morlete Ruiz was one of the first artists to employ what would become standard elements of 18th century Casta painting. In his Casta sets, much could be determined about the status of the subjects based on their clothing, hair, and surroundings. His paintings featured the Spanish men as the dominant figures in the family. He also used body language to express attitudes and emotions that supposedly resulted from racial mixing.
Apart from Casta painting, Morlete Ruiz followed the trend of exoticism by painting local flora and fauna, especially fruits to show a Spanish audience the bounty of the New World. Color contrast, sharp detail, and positioning of the figures reflect the influence of Dutch and Flemish genre painting in his work.〔Ilona Katzew. Casta Painting: Images of Race in Eighteenth-Century Mexico〕
Some of Morlete Ruiz’s paintings can be seen today at the LA County Museum of Art.
== References ==



抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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